Old Major
| Major | |
|---|---|
 A Middle White sow, the same breed as Old Major is described as in the book | |
| First appearance | Animal Farm |
| Created by | George Orwell |
| Based on | Karl Marx, Vladimir Lenin |
| Voiced by | Maurice Denham (1954 film) Peter Ustinov (1999 film) |
| In-universe information | |
| Nickname | Willingdon Beauty |
| Species | Middle White boar |
| Gender | Male |
| Occupation | Revolutionary Leader of Animal Farm |
Major (also called the Willingdon Beauty during showings) is the first major character described by George Orwell in his 1945 novella Animal Farm. An elderly Middle White boar, his "purebred" of pigs is a kind, grandfatherly philosopher of change.[1][2]
Major proposes a solution to the animals' desperate plight on Manor Farm under the Jones administration and inspires thoughts of a rebellion.[3] He does not specify a time for the rebellion; it could be tomorrow or several generations down the road.[3][4] But when he dies three days after delivering his speech, the animals immediately set to work on bringing about the rebellion,[2] driving Jones and the farmhands off the farm and removing many of the implements of his rule.[4]
The Seven Commandments that Snowball transcribes, which are supposed to encompass Major's general philosophy, are gradually altered and deformed under Napoleon until they have entirely different meanings from those originally intended. "Beasts of England", the song that came to Major in his dream, is later banned on Animal Farm by Napoleon and replaced by "Comrade Napoleon", a hymn composed by Minimus the pig that pledges allegiance to Animal Farm and to work to protect it.[4]
Major's skull is dug up and saluted by the animals every day, even after the rebellion, as a sign of respect that the animals remember their roots and the roots of the Rebellion.[3] Later, after Napoleon decides to accept the humans and strike bargains with them, he announces that the remains are to be disposed of because they represent the old days when Animal Farm was "violent and primitive" toward humans; toward the end of the story, Napoleon announces that he has reburied the skull.[4]
In both film adaptations, Major dies while provoking the animals into rebelling. In the 1954 adaption (voiced by Maurice Denham), he dies suddenly while the animals are singing. In the 1999 version (voiced by Peter Ustinov), Farmer Jones slips in mud while investigating the sounds coming from the barn, setting off his shotgun and indirectly hitting Major in his backside so that he staggers backward and falls from the top of the barn to his death.
Major is broadly based on Karl Marx and Vladimir Lenin.[5][1][6]
References
[edit]- ^ a b Ghimire, Sushil (1 June 2021). "Animal Imagery in George Orwell's novel 'Animal Farm'". Journal of Balkumari College. 10 (1). Bharatpur, Nepal: 68–72. doi:10.3126/jbkc.v10i1.42105. ISSN 2467-9321.
- ^ a b Fajrina, Dian (1 March 2016). "Character Metaphors in George Orwell's Animal Farm". Studies in English Language and Education. 3 (1). Banda Aceh, Indonesia: Universitas Syiah Kuala: 79–88. doi:10.24815/siele.v3i1.3391. ISSN 2355-2794.
- ^ a b c Mustafa, Goran Omar; Najmalddin, Rebin (1 June 2019). "The Nature of Revolution on Animal Farm". K@ta. 21 (1). Surabaya, Indonesia: Petra Christian University: 17–23. doi:10.9744/kata.21.1.17-23. ISSN 1411-2639.
- ^ a b c d Guocheng, Ma (22 May 2020). "Symbolism in the Absurdity of Animal Farm" (PDF). The Frontiers of Society, Science and Technology. 2 (3): 35–37. doi:10.25236/FSST.2020.020308 (inactive 1 November 2024). ISSN 2616-7433.
{{cite journal}}: CS1 maint: DOI inactive as of November 2024 (link) - ^ "Characters - Revision 2 - GCSE English Literature". BBC Bitesize. BBC. Retrieved 3 December 2019.
- ^ Senn, Samantha (22 September 2015). "All Propaganda is Dangerous, but Some are More Dangerous than Others: George Orwell and the Use of Literature as Propaganda". Journal of Strategic Security. 8 (3 (Supplement: Eleventh Annual IAFIE Conference)). Tampa, Florida: 149–161. doi:10.5038/1944-0472.8.3S.1483. JSTOR 26465253.
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